Some of the key moments happen on Down-Stage Right, but fortunately the singing and lines are so clear you can visualise it for yourself. We had hoped to see the incumbent Phantom, John Owen-Jones after being mightily impressed by his latest performances in the 'Les Mis' tour and the 'Three Phantoms' concert but unfortunately illness had struck and so with much trepidation we took our seats to watch his alternate Scott Davies. In this instance they use height and there were some exciting moments! Also its right by the door so you can make a quick exit." You may also get moved to a better seat if the auditorium isnt full! ___________________, My first West End show. After seeing John Owen Jones twice, and Scott Davies once, I thought Earl Carpenter did a pretty good job - though vocally John Owen Jones was better. And very cramped, would advise booking aisle seats if possible. From here the music and sound was also excellent. At that time you heard her voice only over the speakers and not coming from the stage as before (I was very close). Paid 25 for top price tickets from See Tickets so a good deal. Was a pity but nonetheless a spectacular show! I was so close I could easily see the microphones of the performers. The lavish sets and spectrum of colours explode onto the stage, especially at the start of the second act, and capture your attention and your heart. A special mention to Oliver Thornton as Raoul.absolutely terrible! Five minutes later at 14.22hrs I was given an even better seat in stalls, K11. Went to the stage door. She was very impressive and did the musical justice - easily bettering Sarah Brightman for anyone who listens to the original CD. It made the hairs on the back of my neck stand up and I went all shivery! Birthday outing for Tall Daughter and myself as we continue our steady progress around every London musical we can. I enjoyed it very much, my whole opinion of opera has changed. _____________________, Seats: Royal Circle row C 25 and 27. I had only seen Phantom once and that was at least 20 years ago in London so I thought it was about time I gave it a go again. Also being further back meant I didn't have to look from side to side when the action was spread out, and I didn't have to look almost straight upwards trying to glimpse the Phantom in the chandelier. They were dead centre, we had not a single obstruction and could see every aspect of the production perfectly. Brian McCann should be proud of his performance. I was also impressed with the leg room, I'm 6 foot and it was ample. I "didn't get" that the old guy bidding for the music box was actually Raoul and I think if ever I watched this again it would have more impact as I did enjoy the unusual opening to the show. Unfortunately, my camera had no battery and was charging at home so I'm definitely going back to get photos, which they very kindly pose for. They just dragged the whole thing out. Maximum 2 per person, first come, first served. I would agree with the reviews, the seats are central and give a clear view of all areas of the stage. I was very annoyed that the whole thing was played to the Stalls, because not everyone can afford 50 a ticket. Despite some of the performances not being so good, and it starting to look a bit tired, 'The Phantom of the Opera' is still a great spectacle and a thrilling piece of theatre. Saw "Phantom" last night for the first time (6th May 2009). Also, for the record, Brian McCann is a 'swing'* in the programme - yes, but he is also listed as 'first cover'** for the Phantom, Scott Davies is the standby Phantom, i.e., the 'alternate. Pillar on the left that did block out some of the performance. I could see every feature of the phantom's deformity, saw all the fine detail, and felt that the singers were singing just for me, they tended to stand just in front of these seats to sing the big pieces. Support A View From My Seat by using the links below to purchase tickets from our trusted partners. The sound wraps around you, and the sweat on the forehead of the first violinist feels close enough to mop. me and my partner came to see phantom for the first time the show itself was amazing the cast and crew were fantastic, we had one usher who was extremely rude and was really raising his voice to shout out orders, we had tickets in the balcony and are honestly the most uncomfortable theatre seats I have sat in I could not move my legs at all and had to move around a lot much to the dismay of the people in front of us. Also from the grand circle you get a great view of the chandelier rising ad when the Phantom is up above the arch. I thought these seats were a real treat, especially with with no seats in front so no heads to obscure the view. Add a reply. I'll keep this short as I have done a review before. I can't compare the current cast with any other but they didn't strike me as anything special. l think this is a great performance, I would have to disagree with the monkey saying it was ''lame.'' I do realise that the part of Raoul is not well, good, it seems the writers got board when they got to his part!! P.S. Wardrobe, lighting, the set and the orchestra were all very appealing but the cast and direction completely floundered. On my first viewing (from the Upper Circle) I remember being amazed when the rows of candles appeared for the Music of The Night scene, but from row C this effect is muted, also the cloud which is so effective from further away obscures the action I reckon rows G and H would be much better, or probably the main green area of the Dress Circle. Get over it!! His voice is much too weak, his acting is poor and the way he reads Raoul and decides to play him is insensitive and irritating. However I decided I would give him the benefit of the doubt. The above two comments drew this reply from previous reviewer Will Cooper: I'd just like to counter some of your most recent and scathing phantom reviews. Her character was a bit cold for my liking and sometimes quite aggressive, but still fab. Although you are blocked 15% of the stage, the play is so powerful that you can work around it. All very friendly, approachable and cheerful. Its simply a way to sell second grade overpriced seats under the disguise of a special offer. Really great seats for a total bargain, there were a couple of moments we couldn't see brilliantly due to dry ice and the action being directly above us but nothing to quibble about and they were fleeting. You have to accept "Phantom" as a period piece and one of the last glittering relics of the golden age of London Theatre which the 1980's undoubtedly were. _________________________________________, 9th July 2015. I wanted to see the stage show after I saw the 2004 film, (the best thing to do is to see the stage show then the film). The view of the stage was excellent, as was the view of the top of the theatre, we had a great sight of The Phantom during his performance in 'The Gods'. With time, its importance was diluted, and, by the middle of the fifteenth century, it was almost forgotten although still there according to the law. BEWARE These seats have restricted viewing (although not sold as such ) the floor of the balcony cuts off the top of the stage. Christine was also very good and played the character well. We were in E 10, 11 and 12 in the stalls and they were very good. Also if youve seen the show previously you know when to look up, and I saw the Phantom when he was in the gods - and also saw him when he was in the angel structure (I never noticed before that the sculpture's eyes and mouth are lit up when the Phantom is on it - which I never would have known if I hadn't sat there). Plus, I have to admit I would have gone a bit earlier but after hearing Ben Foster on TV singing a song from 'Phantom' I put off going until he had left the cast as I thought he sounded dreadful. Christine was one of the only redeeming qualities. So what it the emotion is overblown? Karen. Phantom of the Opera, 07Jul2016, Whichseats.com is not affiliated to show producers or theatre owners. The best thing about Hamer Hall is simply being in it, now its had its multi-million dollar makeover; its the only venue in the world that makes bright orange feel classy. Konrad from Berkshire. Seats throughout the Grand Circle are generally cheaper than other tiers. Get quick answers from Her Majesty's Theatre staff and past visitors. But wait until this cast moves on. ___________________. Sign up to unlock our digital magazines and also receive the latest news, events, offers and partner promotions. I never have a problem with legroom in the dress circle; I find the D/C my preferred place to sit in the theatre to the stalls. Much of the "romance" is over-the-top and dramatic, but as I don't often watch shows of this nature it didn't really give me cause to be critical as I expected this when I entered the theatre. She completely screwed up the last part of 'Think of me' which was already shorter than usual I think due to her vocal limitations. and Christine wasn't a shade of the beautiful, haunted talent she once was. ___________________________. I thoroughly enjoyed the show and the music was played beautifully. You must see this show, at least once!!!!! Vol. Many thanks to the Phantom cast, and Theatremonkey, for making a happy day extra special. The gentleman that previously wrote in the defence of Raoul lacking charisma is so correct in what he says, yes this is how Raoul is supposed to beI think that those who slate POTO have no appreciation for this form of entertainment which is absolutely fine as we all have different tastes but hey just admit that its not for you, there's no need to rip it apart.take note Theatre I do see the Monkeys point about overblown emotion: too overblown and you cease to care quite as much as you should about the characters When I got to the box office, they offered 2 seats in row Q, to the side. The Merlyn is technically a flexible seating space, and has been set up in traverse, thrust and even with no seating at all. By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions. The beautiful sounds of Lloyd Webber's music, combined with the wonderful lyrics of Charles Hart and Richard Stilgoe, stay in your mind for weeks on end and, to be honest, it's not really such a bad thing! InterContinental (IHG) Hotels in Melbourne. The best known songs are still riveting, my favourite is Music of the Night , very moving and you could have heard a pin drop in the theatre. When we bought the tickets I wasn't that excited. Ticketek says the seats are restricted by support poles. Que sera sera! . Went to see The Jersey Boys on Wednesday 8th Feb at His Majesty's Aberdeen. Traditionally, these were concentrated in the stalls, as close to the stage as possible. Being only 10 more than where we sat in the Grand Circle Row J before, these seats are much much better. A big compliment however for Wendy Ferguson as Carlotta, she was very very good. Whilst a little disappointed that we were seeing the understudy, we came with open minds. The bar only obstructed the view of the orchestra pit which was hardly a problem. It feels like you are peering through a letterbox, and should be avoided. It had me in tears and goosebumps in parts. Now, I always find Music of the Night the most boring song in the show - but this time I was completely gripped by it. Reviewed June 8, 2019 Purchased last minute $65 restricted view seats (A31 and B33 - directly behind each other) for a return visit to Muriel's Wedding. He seemed so active and young around Katie, he was bouncing around the stage. Ways to Experience Her Majesty's Theatre London, Sacred & Religious Sites, Churches & Cathedrals. After showing initial promise with some very impressive effects, it soon became apparent that the cast was not able to keep up with the set. I had no idea such incredible music could be ruined so easily. The rest of the stalls were full. Christian Toime There is nothing wrong with the first few rows of the stalls, but the dress is the place to be. So if anything is happening higher up the stage you cannot see it. It was extraordinary. ___________________. Not much legroom in the front row of the Circle (I know, I know, you warned us) but thoroughly enjoyed it, now seen it three times. My boyfriend did say his knees hurt from no leg room, although this was not a problem for me as Im shorter. The seats do seem close together and space seemed a bit tight on elbow room, but nothing to really worry about. It was probably the best birthday I could give my little girl. Myself and three of my friends booked tickets to see Phantom for the 5th of January 2010, and should have taken the adverse weather as the first sign that we should have stayed at home. Besides which, Phantom is a classic "OF IT'S TIME". The audience consisted of mainly tourists from SE Asia and I did wonder how on earth they could understand the performance, not easy when it is all sung, but the Korean girl sitting next to explained that she had already watched the film in Korea, so knew the story. Stall tickets on Ticketmaster for Jersey Boys, for example, range from between 45.70 and 91.40, with most seats in this section priced at around 67.20. Ashleah Skinner, Thank you to the man further down our row who was nearer to them than us who told them very firmly to be quiet! All the cast is friendly and gives out autographs and takes photos. When we got there, two seats next to us were empty, so we moved two seats closer to the centre. The seats are a bit old and so aren't as comfortable as some other theatres that have been updated, but we had enough leg room. Earl Carpenter in the lead was very good indeed though not in the same league as Crawford who we had seen on two occasions. Visited this theatre for the first time - last minute decision so the only seats available were in the back row of the stalls SEATS 1/2/3. I thought the voices of Christine and the Phantom were absolutely superb. 020 3925 2998. Nic Greenshields was in the role, however! In the trio with Phantom and Christine, Raoul's voice did not project, and his interjections were lost The whole show is hidden behind a huge chandelier, and some very talented singers. No problems with heads in front and I'm only 5 ft 6. strangely though I do find the seats uncomfortable, the seat pad itself seems large and very square so for my smaller legs my feet barely touched the floor, the seats also seem to lean backwards. I left feeling cheated. Andrew Lloyd Webber is a musical genius and Phantom of the Opera is not to be missed. But always, he's full of passion. I had an absolutely brilliant view here. Breakthrough. The Booker Prize-winning novel-now a major motion picture from Fox SearchlightPictures. MAY, 1810. Enter the email address you signed up with and we'll email you a reset link. Please pass this on to all of the cast (company) and production team. Having booked these seats relatively cheaply during Kids Week (summer promotion - editor) I was very happy to then read previous Theatre Monkey reviewers giving them the thumbs up . Get directions to Her Majesty's Theatre This is a Paris set, gothic Andrew Lloyd Webber musical with Cameron Mackintosh in charge of the spectacle. Otherwise a great view with slight obstruction of front left of the stage. More Cuban dance music here: https://youtu.be/awTKVyyHbeUI hope you enjoy my other playlists. 18 May 2023. for a total of only 50! The show was appalling. However, what I did NOT enjoy was the behaviour of some of the theatregoers on the row in front (we were Upper Circle E12 and E13). Sarah Ferguson has said Queen Elizabeth II was her 'total idol' - and admitted that when her former mother-in-law's corgis 'bark at nothing', she believes it's because the late monarch 'is passing . We were in Row B, which is the first row, I am only 5' 2" and my knees were crushed against a low black wall between me and the orchestra, sit further back for a much better view. DAY SEATS: A number of 30 day seats are released at 10am each day online at: https://uk.thephantomoftheopera.com/day-tickets/. The rest of the time he sings in a low-level, half-speaking-half-singing manor that I find most unsatisfying, if not actually irritating (as someone hoping to see great singing). Having seen the show 19 times in 5 different productions, I must say I still love London's brilliant original the most. Dress Circle A16and 17: _____________________________________. The curtains need a good wash (as an earlier reviewer noted, I think), but it was still great!!! The view from here was brilliant, and absolutely fantastic for the chandelier moments, as well as enabling you to see the Phantom at the top of the rig (which you would miss out on if further forward or under the overhang if further back). I booked stalls seats H19 and H20 with a degree of trepidation given Adams seat review and that I'm 6' tall and 15 stone. Also with the notes at the end she was too late opening and closing her lips. Stalls P13: ridiculously good legroom in this row, thanks to the pillar placement. Opera is an extremely symbolised art form and Phantom manages to capture it's darkness and romanticism beautifully. Unfortunately, the audience seemed as badly behaved as ever at this show - one woman sat behind me was munching crisps during the first act, whilst a man sat behind me was translating the show for his friend. Several of the younger Pliny's letters are addressed to Suetonius, with whom he lived in the closest friendship. Go and see it, if you're around and be sure you book good tickets to enhance the experience. I sat down and realized that my feet were dangling in mid air as I couldn't reach the floor. (Central Stalls an' all!) My cousin is only 5'5" and she said there was not much leg room either. Fantastic show! One small word of warning-do not go to the stage door to see the cast! I just wanted to tell you that your site made an already great week in London positively awesome! I didn't really enjoy this show much and wonder if it's getting a little tired now. Hands down, the best seats in this theatre are the front rows of the dress circle. However, make sure you see Celia Graham in the role of Christine rather than the dreadful Katie Knight-Adams. We sat, on the recommendation of this website and one or two others, in seats 20 and 21 of row C of the Royal Circle - the very best seats in the entire theatre. ___________________, I saw Phantom of the Opera for the first on 13th July 2006. We were generally happy with the seats - but they should be clearly identified as "Restricted," as my aisle seat (and much more so the seat next to me), often had a blocked view of the performance, especially when the action was Stage Right. I was worried that the stage would be high and we'd get a crook neck from looking up, but the stage is low and the view was amazing, we couldn't see the chandelier going up once it had passed the Grand Circle, due to the overhang, but that's a small price to pay for such a clear and close view of the cast. So, THANK YOU! As has been said, this is a fab seat if you have seen the show before as it does give you a new experience on things. Usually highly talented and skilled as they need to learn many roles in the show very precisely and may take over at a moment's notice. Restricted view Some seats at the theatre will be labelled as 'restricted view'. , that buzz electrifies every member of the audience no matter where theyre seated. A wonderful performance by all. We managed to get seats in the stalls, row M 17 to 19 and were very pleased as the visibility is great. _____________________. Thank you to all the cast and crew of Phantom for unforgettable evenings and many happy memories - can't wait for the next time!! It is too messy at times, and the noise created by the set and crew moving it into position is hideous!! For a slightly loftier night, those first rows of the circle are grand too. Earl Carpenter as the Phantom showed potential, but isn't up to such a challenging role. 1 of 3 His Majesty's Theatre Seating Map Download HIS MAJESTY'S THEATRE SEATING MAP Downstairs at The Maj Seating Map Download DOWNSTAIRS AT THE MAJ SEATING MAP DC Bar Seating Map Download DC BAR SEATING MAP Other pages in Your Visit: History Rachel Barrell made a marvellously emotional Christine and kept her as the feisty chorus girl of Leroux's original novel. I deliberately didn't buy the cheapest tickets available as I wanted a good quality viewing experience, but I fail to see how we had anything other than the worst seats in the house. She loved the whole thing, but was a little bit worried that the chandelier might fall on our heads! That great height brings us to the worst seats. It would be nice if a soundtrack was available of the current cast. They were very good seats as the bar was only slightly blocking our view. Kristina P. His performance was a disgrace and how he got such a coveted part I will never know. Prices below were compiled as booking originally opened. Twitter: https://twitter.com/TheOperaGhosts. But there are certain seats in the Princess that make you feel like royalty. For someone who normally favours the more modern musical like myself, "The Phantom of the Opera" certainly took me by surprise. Come on, recast already!! I really enjoyed the show and everyone else was really good. Whichseats.com can't be held responsible for complaints arising from the use of this website. Sat in STALLS Row N seats 17 and 18. ___________________________, Having read very mixed reviews of the front row seats at Her Majesty's Theatre I was a bit nervous about going to see 'The Phantom of the Opera 'for the 5th time and this time in row B seat 6. ____________________, Brian McCann but as Phantom he cant! And would someone please get rid of the dummies used to make the stage look busier than it actually is!! Our budget was limited so we got Grand circle, F24 and 25. and the seats are excruciatingly uncomfortable. Ive only ever heard him in Avenue Q, which is a very different beast The other seats are also restricted view, but this is worse. Was a bit concerned about how restricted the view would be but it was absolutely fine. But then I found your website, and spent over an hour reading anything and everything Phantom-related, and so it were that yesterday we stood for all of 45 minutes outside Her Majesty's Theatre, and got ourselves two tickets for the matinee, in the 4th row (stalls!) The rest of the cast were as usual fantastic. I have collected, vinyl - CD - DVD and finally, as a 60th Birthday treat with my family, I sat in awe and watched the show. ___________________. ________________________________________, I went last weekend (November 2014) with the wife. We were in row P which was just under the Dress Circle but in the middle, the only bit we missed was the chandelier going higher up than we could see; but we saw the Phantom on the top of the building. It was a dear wish of mine to go to see Phantom, and for my birthday I was treated by the family to the show. I first saw this magnificent production in December 2004 and in May 2006 will be seeing it again for the 4th time. However, really enjoyed it still produces the old goose bumps it has to be said the music is great. I know which one I'd choose ;) I disagree with the negative reviews on "The Phantom of the Opera", Earl Carpenter was excellent as the Phantom, even better than Michael Crawford; and Katie Knight-Adams was excellent as Christine. The cast is completed by Hollie Aires, Connor Carson, Corina Clark, Michelle Cornelius, Edward Court, Lily De-La-Haye, Hywel Dowsell, Serina Faull, James Gant, Eilish Harmon-Beglan, Emma Harris, Yukina Hasebe, Thomas Holdsworth, Olivia Holland-Rose, Jacob Hughes, Grace Hume, James Hume, Tim Morgan, Michael Robert-Lowe, Eve Shanu-Wilson, Tim Southgate, Anouk Van Laake, Jasmine Wallis, Ralph Watts, Skye Weiss, Simon Whitaker, Lizzie Wofford and Andrew York. On the stage right in front of me was a wooden block which may have contained lighting. His Phantom is both angry and vulnerable, and I have always agreed with the Monkey in thinking that Christine chooses the wrong man, and this time it feels like that even more so than with past Phantoms. I may even go as far as to say that Earl's voice is more powerful and his performance is better than Mr Crawford! Phantom of the Opera, 22 Oct 2017 Anne The music was fantastic, and the singing was mind blowing. Our Valentines celebration was ruined by a) the restricted view we had from our seats on the back row of the Royal Circle - H17 and H18 and b) the intolerable heat. JackieMc I think all the seats in the stalls at both sides at the back will be the same. Legroom was ample, and so long as nobody in front of you leans forward, you needn't move for the entire duration of the show. Sofia Escobar is a superb Christine, young and naive, and in fine voice. I had booked row E seat 1 of the royal circle for that night's performance as I had been wanting to see Katie Hall as Christine for AGES - and I was also pleased at the thought of seeing John Owen Jones as the Phantom, as I had previously seen the two actors in the 'Les Mis' tour last year. I have seen this show many times now, including the original cast of Crawford and Brightman, and I have always sat in the Stalls or Dress. More legroom than I expected (still not much, but couldve been worse). My only word of caution would be take a light jacket, the air conditioning is too good!!. Now for someone like me who has seen the show before row M is fine if going for the first time it's about 4 rows too far back for the view of the chandelier rising and falling. Simon Bailey is a fiery Raoul and the tension between him and Ramin in the final lair is amazing. __________________. Main reason for wanting to go and see this again was to see Ben Lewis, as I thought he was good in the 'Love Never Dies' stage production they filmed and released.

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